Peppa and George about to be cooked by a witch in a YouTube spin-off of the Peppa Pig series. Source: YouTube What all these failures have in common is that they didn’t have to happen. They only occur because Facebook invests far more time and energy in building algorithmically controlled features meant to drive user engagement, or give more control to advertisers, than it does thinking about the social and cultural implications of making it easy for 2 billion people to share content.
It’s not just Facebook that’s turned to algorithms to bump up engagement over the past few years, of course – it’s most of the tech industry, particularly the parts reliant on ad revenue. Earlier this month, writer James Bridle published an in-depth look at the underbelly of creepy, violent content targeted at kids on YouTube – from knock-off Peppa Pig cartoons, such as one where a trip to the dentist morphs into a graphic torture scene, to live-action “gross-out” videos, which show real kids vomiting and in pain.
These videos are being produced and added to YouTube by the thousand, then tagged with what Bridle calls “keyword salad” – long lists of popular search terms packed into their titles. These keywords are designed to game or manipulate the algorithm that sorts, ranks and selects content for users to see. And thanks to a business model aimed at maximising views (and therefore ad revenue), these videos are being auto-played and promoted to kids based on their “similarity” – at least in terms of keywords used – to content that the kids have already seen. That means a child might start out watching a normal Peppa Pig episode on the official channel, finish it, then be automatically immersed in a dark, violent and unauthorised episode – without their parent realising it.
YouTube’s response to the problem has been to hand responsibility to its users, asking them to flag videos as inappropriate. From there, the videos go to a review team that YouTube says comprises thousands of people working 24 hours a day to review content. If the content is found to be inappropriate for children, it will be age-restricted and not appear in the YouTube Kids app. It will still appear on YouTube proper, however, where, officially, users must be at least 13 years old, but in reality, is still a system which countless kids use (just think about how often antsy kids are handed a phone or tablet to keep them occupied in a public space).
Like Facebook’s scheme, this approach has several flaws: since it’s trying to ferret out inappropriate videos from kids’ content, it’s likely that most of the people who will encounter these videos are kids themselves. I don’t expect a lot of six-year-olds to become aggressive content moderators any time soon. And if the content is flagged, it still needs to be reviewed by humans, which, as YouTube has already acknowledged, takes “round the clock” monitoring.
When we talk about this kind of challenge, the tech companies’ response is often that it’s simply the inevitability of scale – there’s no way to serve billions of users endless streams of engaging content without getting it wrong or allowing abuse to slip by some of the time. But of course, these companies don’t have to do any of this. Auto-playing an endless stream of algorithmically selected videos to kids isn’t some sort of mandate. The internet didn’t have to become a smorgasbord of “suggested content”. It’s a choice that YouTube made, because ad views are ad views. You’ve got to break a few eggs to make an omelette, and you’ve got to traumatise a few kids to build a global behemoth worth $600bn.
And that’s the issue: in their unblinking pursuit of growth over the past decade, these companies have built their platforms around features that aren’t just vulnerable to abuse, but literally optimised for it. Take a system that’s easy to game, profitable to misuse, intertwined with our vulnerable people and our most intimate moments, and operating at a scale that’s impossible to control or even monitor, and this is what you get.
The question now is, when will we force tech companies to reckon with what they’ve wrought? We’ve long decided that we won’t let companies sell cigarettes to children or put asbestos into their building materials. If we want, we can decide that there are limits to what tech can do to “engage” us, too, rather than watching these platforms spin further and further away from the utopian dreams they were sold to us on.
Technically Wrong: Sexist Apps, Biased Algorithms and Other Threats of Toxic Tech by Sara Wachter-Boettcher is published by Norton. To order a copy for £20 go to bookshop.theguardian.com or call 0330 333 6846. Free UK p&p over £10, online orders only. Phone orders min p&p of £1.99