It tends to be ignored by art prizes, but painting is trendier than ever and makes conceptual art look elitist and out of touch
It seems only yesterday that painting was dead. Now its everywhere. In London, galleries east of Spitalfields are full of the stuff. Recently, visiting an exhibition by a painter friend, I was chatting to the young artist who runs the gallery which doubles up as his painting studio. Opening a hidden cupboard, he took out some of his big, sprawling canvases, great stuff full of political imagery and existential angst. And thats just inside galleries. Never mind the paintings in the streets that are so much a part of 21st-century life. Painting dead? If so we must be suffering the attack of the zombie painters, because this old art is invading every corner of the modern world from the coolest corners of the art world to underneath your local railway bridge.
One place you wont find it is the Turner prize. This years Turner is one of the most paint-free ever. Get with it, daddio dont you know the gooey stuff is where its at? As if to show up the out-of-touch Tate which also pretty much excluded painting from the opening displays in its otherwise excellent Switch House at Tate Modern the Saatchi Gallery has just opened a show as full of paintings as the Turner prize is free of them.
Its show Painters Painters is also brimming with visitors. Maybe, after years of being told by po-faced curators that we should revere video art and various live interactive post-artistic phenomena, we just wanna have fun. Because the paintings in the Saatchi really are a lot of fun. Even the artists I dont much rate here look as if they are enjoying themselves, and the good mood is infectious.
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